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Enter IMOGEN and PISANIO
| IMOGEN |
I would thou grew'st unto the shores o' the haven,
And question'dst every sail: if he should write
And not have it, 'twere a paper lost,
As offer'd mercy is. What was the last
That he spake to thee? |
| PISANIO |
It was his queen, his queen! |
| IMOGEN |
Then waved his handkerchief? |
| PISANIO |
And kiss'd it, madam. |
| IMOGEN |
Senseless Linen! happier therein than I!
And that was all? |
| PISANIO |
No, madam; for so long
As he could make me with this eye or ear
Distinguish him from others, he did keep
The deck, with glove, or hat, or handkerchief,
Still waving, as the fits and stirs of 's mind
Could best express how slow his soul sail'd on,
How swift his ship. |
| IMOGEN |
Thou shouldst have made him
As little as a crow, or less, ere left
To after-eye him. |
| PISANIO |
Madam, so I did. |
| IMOGEN |
I would have broke mine eye-strings; crack'd them, but
To look upon him, till the diminution
Of space had pointed him sharp as my needle,
Nay, follow'd him, till he had melted from
The smallness of a gnat to air, and then
Have turn'd mine eye and wept. But, good Pisanio,
When shall we hear from him? |
| PISANIO |
Be assured, madam,
With his next vantage. |
| IMOGEN |
I did not take my leave of him, but had
Most pretty things to say: ere I could tell him
How I would think on him at certain hours
Such thoughts and such, or I could make him swear
The shes of Italy should not betray
Mine interest and his honour, or have charged him,
At the sixth hour of morn, at noon, at midnight,
To encounter me with orisons, for then
I am in heaven for him; or ere I could
Give him that parting kiss which I had set
Betwixt two charming words, comes in my father
And like the tyrannous breathing of the north
Shakes all our buds from growing. |
| |
[Enter a Lady] |
| Lady |
The queen, madam,
Desires your highness' company. |
| IMOGEN |
Those things I bid you do, get them dispatch'd.
I will attend the queen. |
| PISANIO |
Madam, I shall. |
| |
[Exeunt] |
To view other scenes
from the show:
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Full Text |
Act III, Scene 2 Another room in the palace. |
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Act I, Scene 1 Britain. The garden of
Cymbeline's palace. |
Act III, Scene 3
Wales. a mountainous country with a a cave. |
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Act I, Scene 2 The same. A public Place |
Act III, Scene 4 Country near Milford Haven |
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Act I, Scene 3 A room in Cymbeline's palace. |
Act III, Scene 5 A room in Cymbeline's palace |
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Act I, Scene 4 Rome. Philario's house. |
Act III, Scene 6 Wales Before the cave of
Belarius./Act III, Scene 7 Rome A public place. |
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Act I, Scene 5 Britain. A room in Cymbeline's
palace. |
Act IV, Scene 1 Wales: near the cave of
Belarius./Act IV, Scene 2 Before the cave of Belarius |
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Act I, Scene 6 The same. Another room in the
palace. |
Act IV, Scene 3 A
room in Cymbeline's palace. |
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Act II, Scene 1 Britain. Before Cymbeline's
palace. |
Act IV, Scene 4
Wales: before the cave of Belarius. |
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Act II, Scene 2 Imogen's bedchamber in
Cymbeline's palace. |
Act V, Scene 1
Britain. The Roman camp./Act V, Scene 2 Field of battle between the
British and Roman camps. |
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Act II, Scene 3 An ante-chamber adjoining
Imogen's apartments. |
Act V, Scene 3
Another part of the field. |
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Act II, Scene 4 Rome. Philario's house./Act II, Scene 5 Another room in Philario's
house. |
Act V, Scene 4 A
British prison. |
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Act III, Scene 1 A hall in Cymbeline's house |
Act V, Scene 5
Cymbeline's tent. |
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Cymbeline sections:
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