Act II, Scene 2 Imogen's bedchamber in Cymbeline's palace: a trunk in one corner of it.

IMOGEN in bed, reading; a Lady attending

 

IMOGEN Who's there? my woman Helen?
Lady Please you, madam
IMOGEN What hour is it?
Lady Almost midnight, madam.
IMOGEN I have read three hours then: mine eyes are weak:
Fold down the leaf where I have left: to bed:
Take not away the taper, leave it burning;
And if thou canst awake by four o' the clock,
I prithee, call me. Sleep hath seized me wholly
  [Exit Lady]
  To your protection I commend me, gods.
From fairies and the tempters of the night
Guard me, beseech ye.
  [Sleeps. IACHIMO comes from the trunk]
IACHIMO The crickets sing, and man's o'er-labour'd sense
Repairs itself by rest. Our Tarquin thus
Did softly press the rushes, ere he waken'd
The chastity he wounded. Cytherea,
How bravely thou becomest thy bed, fresh lily,
And whiter than the sheets! That I might touch!
But kiss; one kiss! Rubies unparagon'd,
How dearly they do't! 'Tis her breathing that
Perfumes the chamber thus: the flame o' the taper
Bows toward her, and would under-peep her lids,
To see the enclosed lights, now canopied
Under these windows, white and azure laced
With blue of heaven's own tinct. But my design,
To note the chamber: I will write all down:
Such and such pictures; there the window; such
The adornment of her bed; the arras; figures,
Why, such and such; and the contents o' the story.
Ah, but some natural notes about her body,
Above ten thousand meaner moveables
Would testify, to enrich mine inventory.
O sleep, thou ape of death, lie dull upon her!
And be her sense but as a monument,
Thus in a chapel lying! Come off, come off:
  [Taking off her bracelet]
  As slippery as the Gordian knot was hard!
'Tis mine; and this will witness outwardly,
As strongly as the conscience does within,
To the madding of her lord. On her left breast
A mole cinque-spotted, like the crimson drops
I' the bottom of a cowslip: here's a voucher,
Stronger than ever law could make: this secret
Will force him think I have pick'd the lock and ta'en
The treasure of her honour. No more. To what end?
Why should I write this down, that's riveted,
Screw'd to my memory? She hath been reading late
The tale of Tereus; here the leaf's turn'd down
Where Philomel gave up. I have enough:
To the trunk again, and shut the spring of it.
Swift, swift, you dragons of the night, that dawning
May bare the raven's eye! I lodge in fear;
Though this a heavenly angel, hell is here.
  [Clock strikes]
  One, two, three: time, time!
  [Goes into the trunk. The scene closes]

 

To view other scenes from the show:

Full Text Act III, Scene 2 Another room in the palace.
Act I, Scene 1 Britain. The garden of Cymbeline's palace. Act III, Scene 3 Wales. a mountainous country with a a cave.
Act I, Scene 2 The same. A public Place Act III, Scene 4 Country near Milford Haven
Act I, Scene 3 A room in Cymbeline's palace. Act III, Scene 5 A room in Cymbeline's palace
Act I, Scene 4 Rome. Philario's house. Act III, Scene 6 Wales Before the cave of Belarius./Act III, Scene 7 Rome A public place.
Act I, Scene 5 Britain. A room in Cymbeline's palace. Act IV, Scene 1 Wales: near the cave of Belarius./Act IV, Scene 2 Before the cave of Belarius
Act I, Scene 6 The same. Another room in the palace. Act IV, Scene 3 A room in Cymbeline's palace.
Act II, Scene 1 Britain. Before Cymbeline's palace. Act IV, Scene 4 Wales: before the cave of Belarius.
Act II, Scene 2 Imogen's bedchamber in Cymbeline's palace. Act V, Scene 1 Britain. The Roman camp./Act V, Scene 2 Field of battle between the British and Roman camps.
Act II, Scene 3 An ante-chamber adjoining Imogen's apartments. Act V, Scene 3 Another part of the field.
Act II, Scene 4 Rome. Philario's house./Act II, Scene 5 Another room in Philario's house. Act V, Scene 4 A British prison.
Act III, Scene 1 A hall in Cymbeline's house Act V, Scene 5 Cymbeline's tent.

 

To view other Cymbeline sections:

Main Play Page      Play Text     Scene by Scene Synopsis     Character Directory     Commentary  

 

To view the other Plays click below:

By  Comedies    Histories    Romances    Tragedies

All's Well the Ends Well Antony & Cleopatra As You Like It Cardenio Comedy of Errors Coriolanus
Cymbeline Edward III Hamlet Henry IV, Part 1 Henry IV, Part 2 Henry V
Henry VI, Part 1 Henry VI, Part 2 Henry VI, Part 3 Henry VIII Julius Caesar King John
King Lear Love's Labours Lost Love's Labours Wonne Macbeth Measure for Measure Merchant of Venice
The Merry Wives of Windsor A Mid Summer Night's Dream  Much Ado About Nothing Othello Pericles Richard II
Richard III Romeo & Juliet Sir Thomas More Taming of the Shrew The Tempest Timon of Athens
Titus Andronicus Troilus & Cressida Twelfth Night Two Gentlemen of Verona The Two Noble Kinsman The Winter's Tale

 

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