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Enter DUKE ORSINO, VIOLA, CURIO, and others
| DUKE ORSINO
|
Give me some music. Now, good morrow, friends.
Now, good Cesario, but that piece of song,
That old and antique song we heard last night:
Methought it did relieve my passion much,
More than light airs and recollected terms
Of these most brisk and giddy-paced times:
Come, but one verse. |
| CURIO |
He is not here, so please your lordship that should sing it.
|
| DUKE ORSINO
|
Who was it? |
| CURIO |
Feste, the jester, my lord; a fool that the lady
Olivia's father took much delight in. He is about the house. |
| DUKE ORSINO
|
Seek him out, and play the tune the while.
|
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[Exit CURIO. Music plays]
|
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Come hither, boy: if ever thou shalt love,
In the sweet pangs of it remember me;
For such as I am all true lovers are,
Unstaid and skittish in all motions else,
Save in the constant image of the creature
That is beloved. How dost thou like this tune? |
| VIOLA |
It gives a very echo to the seat
Where Love is throned. |
| DUKE ORSINO
|
Thou dost speak masterly:
My life upon't, young though thou art, thine eye
Hath stay'd upon some favour that it loves:
Hath it not, boy? |
| VIOLA |
A little, by your favour.
|
| DUKE ORSINO
|
What kind of woman is't?
|
| VIOLA |
Of your complexion. |
| DUKE ORSINO
|
She is not worth thee, then. What years, i' faith?
|
| VIOLA |
About your years, my lord.
|
| DUKE ORSINO
|
Too old by heaven: let still the woman take
An elder than herself: so wears she to him,
So sways she level in her husband's heart:
For, boy, however we do praise ourselves,
Our fancies are more giddy and unfirm,
More longing, wavering, sooner lost and worn,
Than women's are. |
| VIOLA |
I think it well, my lord.
|
| DUKE ORSINO
|
Then let thy love be younger than thyself,
Or thy affection cannot hold the bent;
For women are as roses, whose fair flower
Being once display'd, doth fall that very hour. |
| VIOLA |
And so they are: alas, that they are so;
To die, even when they to perfection grow! |
| |
[Re-enter CURIO and Clown]
|
| DUKE ORSINO
|
O, fellow, come, the song we had last night.
Mark it, Cesario, it is old and plain;
The spinsters and the knitters in the sun
And the free maids that weave their thread with bones
Do use to chant it: it is silly sooth,
And dallies with the innocence of love,
Like the old age. |
| Clown |
Are you ready, sir? |
| DUKE ORSINO
|
Ay; prithee, sing. |
| |
[Music] |
| Clown |
SONG.
Come away, come away, death,
And in sad cypress let me be laid;
Fly away, fly away breath;
I am slain by a fair cruel maid.
My shroud of white, stuck all with yew,
O, prepare it!
My part of death, no one so true
Did share it.
Not a flower, not a flower sweet
On my black coffin let there be strown;
Not a friend, not a friend greet
My poor corpse, where my bones shall be thrown:
A thousand thousand sighs to save,
Lay me, O, where
Sad true lover never find my grave,
To weep there! |
| DUKE ORSINO
|
There's for thy pains.
|
| Clown |
No pains, sir: I take pleasure in singing, sir.
|
| DUKE ORSINO
|
I'll pay thy pleasure then.
|
| Clown |
Truly, sir, and pleasure will be paid, one time or another.
|
| DUKE ORSINO
|
Give me now leave to leave thee.
|
| Clown |
Now, the melancholy god protect thee; and the
tailor make thy doublet of changeable taffeta, for
thy mind is a very opal. I would have men of such
constancy put to sea, that their business might be
every thing and their intent every where; for that's
it that always makes a good voyage of nothing. Farewell. |
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[Exit] |
| DUKE ORSINO
|
Let all the rest give place.
|
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[CURIO and Attendants retire]
|
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Once more, Cesario,
Get thee to yond same sovereign cruelty:
Tell her, my love, more noble than the world,
Prizes not quantity of dirty lands;
The parts that fortune hath bestow'd upon her,
Tell her, I hold as giddily as fortune;
But 'tis that miracle and queen of gems
That nature pranks her in attracts my soul. |
| VIOLA |
But if she cannot love you, sir?
|
| DUKE ORSINO
|
I cannot be so answer'd.
|
| VIOLA |
Sooth, but you must.
Say that some lady, as perhaps there is,
Hath for your love a great a pang of heart
As you have for Olivia: you cannot love her;
You tell her so; must she not then be answer'd? |
| DUKE ORSINO
|
There is no woman's sides
Can bide the beating of so strong a passion
As love doth give my heart; no woman's heart
So big, to hold so much; they lack retention
Alas, their love may be call'd appetite,
No motion of the liver, but the palate,
That suffer surfeit, cloyment and revolt;
But mine is all as hungry as the sea,
And can digest as much: make no compare
Between that love a woman can bear me
And that I owe Olivia. |
| VIOLA |
Ay, but I know-- |
| DUKE ORSINO
|
What dost thou know? |
| VIOLA |
Too well what love women to men may owe:
In faith, they are as true of heart as we.
My father had a daughter loved a man,
As it might be, perhaps, were I a woman,
I should your lordship. |
| DUKE ORSINO
|
And what's her history?
|
| VIOLA |
A blank, my lord. She never told her love,
But let concealment, like a worm i' the bud,
Feed on her damask cheek: she pined in thought,
And with a green and yellow melancholy
She sat like patience on a monument,
Smiling at grief. Was not this love indeed?
We men may say more, swear more: but indeed
Our shows are more than will; for still we prove
Much in our vows, but little in our love. |
| DUKE ORSINO
|
But died thy sister of her love, my boy?
|
| VIOLA |
I am all the daughters of my father's house,
And all the brothers too: and yet I know not.
Sir, shall I to this lady? |
| DUKE ORSINO
|
Ay, that's the theme.
To her in haste; give her this jewel; say,
My love can give no place, bide no denay. |
| |
[Exeunt] |
To see other scenes
from the show:
|
Full Text |
Act II, Scene 5
Olivia's garden. |
|
Act I, Scene 1
Duke Orsino's palace. |
Act III, Scene 1
Olivia's garden. |
|
Act I, Scene 2 The
sea-coast. |
Act III, Scene 2
Olivia's house. |
|
Act I, Scene 3
Olivia's house. |
Act III, Scene 3 A
street. |
|
Act I, Scene 4
Duke Orsino's palace. |
Act III, Scene 4
Olivia's garden |
|
Act I, Scene 5
Olivia's house. |
Act IV, Scene 1
Before Olivia's house. |
|
Act II, Scene 1
The sea-coast. |
Act IV, Scene 2
Olivia's house. |
|
Act II, Scene 2 A
street. |
Act IV, Scene 3
Olivia's garden. |
|
Act II, Scene 3
Olivia's house. |
Act V, Scene 1
Before Olivia's house. |
|
Act II, Scene 4 Duke Orsino's palace. |
|
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Twelfth Night sections:
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