Act III, Scene 6 Camp before Florence.

Enter BERTRAM and the two French Lords

 

Second Lord Nay, good my lord, put him to't; let him have his
way.
First Lord If your lordship find him not a hilding, hold me no
more in your respect.
Second Lord On my life, my lord, a bubble.
BERTRAM Do you think I am so far deceived in him?
Second Lord Believe it, my lord, in mine own direct knowledge,
without any malice, but to speak of him as my
kinsman, he's a most notable coward, an infinite and
endless liar, an hourly promise-breaker, the owner
of no one good quality worthy your lordship's
entertainment.
First Lord It were fit you knew him; lest, reposing too far in
his virtue, which he hath not, he might at some
great and trusty business in a main danger fail you.
BERTRAM I would I knew in what particular action to try him.
First Lord None better than to let him fetch off his drum,
which you hear him so confidently undertake to do.
Second Lord I, with a troop of Florentines, will suddenly
surprise him; such I will have, whom I am sure he
knows not from the enemy: we will bind and hoodwink
him so, that he shall suppose no other but that he
is carried into the leaguer of the adversaries, when
we bring him to our own tents. Be but your lordship
present at his examination: if he do not, for the
promise of his life and in the highest compulsion of
base fear, offer to betray you and deliver all the
intelligence in his power against you, and that with
the divine forfeit of his soul upon oath, never
trust my judgment in any thing.
First Lord O, for the love of laughter, let him fetch his drum;
he says he has a stratagem for't: when your
lordship sees the bottom of his success in't, and to
what metal this counterfeit lump of ore will be
melted, if you give him not John Drum's
entertainment, your inclining cannot be removed.
Here he comes.
[Enter PAROLLES]
Second Lord [Aside to BERTRAM] O, for the love of laughter,
hinder not the honour of his design: let him fetch
off his drum in any hand.
BERTRAM How now, monsieur! this drum sticks sorely in your
disposition.
First Lord A pox on't, let it go; 'tis but a drum.
PAROLLES 'But a drum'! is't 'but a drum'? A drum so lost!
There was excellent command,--to charge in with our
horse upon our own wings, and to rend our own soldiers!
First Lord That was not to be blamed in the command of the
service: it was a disaster of war that Caesar
himself could not have prevented, if he had been
there to command.
BERTRAM Well, we cannot greatly condemn our success: some
dishonour we had in the loss of that drum; but it is
not to be recovered.
PAROLLES It might have been recovered.
BERTRAM It might; but it is not now.
PAROLLES It is to be recovered: but that the merit of
service is seldom attributed to the true and exact
performer, I would have that drum or another, or
'hic jacet.'
BERTRAM Why, if you have a stomach, to't, monsieur: if you
think your mystery in stratagem can bring this
instrument of honour again into his native quarter,
be magnanimous in the enterprise and go on; I will
grace the attempt for a worthy exploit: if you
speed well in it, the duke shall both speak of it.
and extend to you what further becomes his
greatness, even to the utmost syllable of your
worthiness.
PAROLLES By the hand of a soldier, I will undertake it.
BERTRAM But you must not now slumber in it.
PAROLLES I'll about it this evening: and I will presently
pen down my dilemmas, encourage myself in my
certainty, put myself into my mortal preparation;
and by midnight look to hear further from me.
BERTRAM May I be bold to acquaint his grace you are gone about it?
PAROLLES I know not what the success will be, my lord; but
the attempt I vow.
BERTRAM I know thou'rt valiant; and, to the possibility of
thy soldiership, will subscribe for thee. Farewell.
PAROLLES I love not many words.
[Exit]
Second Lord No more than a fish loves water. Is not this a
strange fellow, my lord, that so confidently seems
to undertake this business, which he knows is not to
be done; damns himself to do and dares better be
damned than to do't?
First Lord You do not know him, my lord, as we do: certain it
is that he will steal himself into a man's favour and
for a week escape a great deal of discoveries; but
when you find him out, you have him ever after.
BERTRAM Why, do you think he will make no deed at all of
this that so seriously he does address himself unto?
Second Lord None in the world; but return with an invention and
clap upon you two or three probable lies: but we
have almost embossed him; you shall see his fall
to-night; for indeed he is not for your lordship's respect.
First Lord We'll make you some sport with the fox ere we case
him. He was first smoked by the old lord Lafeu:
when his disguise and he is parted, tell me what a
sprat you shall find him; which you shall see this
very night.
Second Lord I must go look my twigs: he shall be caught.
BERTRAM Your brother he shall go along with me.
Second Lord As't please your lordship: I'll leave you.
[Exit]
BERTRAM Now will I lead you to the house, and show you
The lass I spoke of.
First Lord But you say she's honest.
BERTRAM That's all the fault: I spoke with her but once
And found her wondrous cold; but I sent to her,
By this same coxcomb that we have i' the wind,
Tokens and letters which she did re-send;
And this is all I have done. She's a fair creature:
Will you go see her?
First Lord With all my heart, my lord.
[Exeunt]

 

ActIII, Scene 7 Florence. The Widow's house.

Enter HELENA and Widow

 

HELENA If you misdoubt me that I am not she,
I know not how I shall assure you further,
But I shall lose the grounds I work upon.
Widow Though my estate be fallen, I was well born,
Nothing acquainted with these businesses;
And would not put my reputation now
In any staining act.
HELENA Nor would I wish you.
First, give me trust, the count he is my husband,
And what to your sworn counsel I have spoken
Is so from word to word; and then you cannot,
By the good aid that I of you shall borrow,
Err in bestowing it.
Widow I should believe you:
For you have show'd me that which well approves
You're great in fortune.
HELENA Take this purse of gold,
And let me buy your friendly help thus far,
Which I will over-pay and pay again
When I have found it. The count he wooes your daughter,
Lays down his wanton siege before her beauty,
Resolved to carry her: let her in fine consent,
As we'll direct her how 'tis best to bear it.
Now his important blood will nought deny
That she'll demand: a ring the county wears,
That downward hath succeeded in his house
From son to son, some four or five descents
Since the first father wore it: this ring he holds
In most rich choice; yet in his idle fire,
To buy his will, it would not seem too dear,
Howe'er repented after.
Widow Now I see
The bottom of your purpose.
HELENA You see it lawful, then: it is no more,
But that your daughter, ere she seems as won,
Desires this ring; appoints him an encounter;
In fine, delivers me to fill the time,
Herself most chastely absent: after this,
To marry her, I'll add three thousand crowns
To what is passed already.
Widow I have yielded:
Instruct my daughter how she shall persever,
That time and place with this deceit so lawful
May prove coherent. Every night he comes
With musics of all sorts and songs composed
To her unworthiness: it nothing steads us
To chide him from our eaves; for he persists
As if his life lay on't.
HELENA Why then to-night
Let us assay our plot; which, if it speed,
Is wicked meaning in a lawful deed
And lawful meaning in a lawful act,
Where both not sin, and yet a sinful fact:
But let's about it.
  [Exeunt]

 

 

To view other scenes in the show click below:

Full Text Act III, Scene 3 Before the Duke's Palace/Act III, Scene 4 Count's Palace
Act I, Scene 1 Rousillon, The Count's Palace Act III, Scene 5Without the walls, a tucket far off
Act I, Scene 2 The King's Palace Act III, Scene 6 Camp before Florence/Act III, Scene 7 Florence The Widow's House
Act I, Scene 3 Count's Palace Act IV, Scene 1 Without the Florentine Camp
Act II, Scene 1 King's Palace Act IV, Scene 2 Florence The Widow's House
Act II, Scene 2 Count's Palace Act IV, Scene 3 The Florentine Camp
Act II, Scene 3 King's Palace Act IV, Scene 4 Florence The Widow's House/Act IV, Scene 5 Count's Palace
Act II, Scene 4 King's Palace/Act II, Scene 5 King's Palace Act V, Scene 1 Marseilles, A Street/Act V, Scene 2 Rousillon Before the Count's Palace
Act III, Scene 1 Duke's Palace/Act III, Scene 2 Count's Palace Act V, Scene 3 Rousillon, The Count's Palace

 

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