Act V, Scene 2 The forest.

Enter ORLANDO and OLIVER

 

ORLANDO Is't possible that on so little acquaintance you
should like her? that but seeing you should love
her? and loving woo? and, wooing, she should
grant? and will you persever to enjoy her?
OLIVER Neither call the giddiness of it in question, the
poverty of her, the small acquaintance, my sudden
wooing, nor her sudden consenting; but say with me,
I love Aliena; say with her that she loves me;
consent with both that we may enjoy each other: it
shall be to your good; for my father's house and all
the revenue that was old Sir Rowland's will I
estate upon you, and here live and die a shepherd.
ORLANDO You have my consent. Let your wedding be to-morrow:
thither will I invite the duke and all's contented
followers. Go you and prepare Aliena; for look
you, here comes my Rosalind.
  [Enter ROSALIND]
ROSALIND God save you, brother.
OLIVER And you, fair sister.
  [Exit]
ROSALIND O, my dear Orlando, how it grieves me to see thee
wear thy heart in a scarf!
ORLANDO It is my arm.
ROSALIND I thought thy heart had been wounded with the claws
of a lion.
ORLANDO Wounded it is, but with the eyes of a lady.
ROSALIND Did your brother tell you how I counterfeited to
swoon when he showed me your handkerchief?
ORLANDO Ay, and greater wonders than that.
ROSALIND O, I know where you are: nay, 'tis true: there was
never any thing so sudden but the fight of two rams
and Caesar's thrasonical brag of 'I came, saw, and
overcame:' for your brother and my sister no sooner
met but they looked, no sooner looked but they
loved, no sooner loved but they sighed, no sooner
sighed but they asked one another the reason, no
sooner knew the reason but they sought the remedy;
and in these degrees have they made a pair of stairs
to marriage which they will climb incontinent, or
else be incontinent before marriage: they are in
the very wrath of love and they will together; clubs
cannot part them.
ORLANDO They shall be married to-morrow, and I will bid the
duke to the nuptial. But, O, how bitter a thing it
is to look into happiness through another man's
eyes! By so much the more shall I to-morrow be at
the height of heart-heaviness, by how much I shall
think my brother happy in having what he wishes for.
ROSALIND Why then, to-morrow I cannot serve your turn for Rosalind?
ORLANDO I can live no longer by thinking.
ROSALIND I will weary you then no longer with idle talking.
Know of me then, for now I speak to some purpose,
that I know you are a gentleman of good conceit: I
speak not this that you should bear a good opinion
of my knowledge, insomuch I say I know you are;
neither do I labour for a greater esteem than may in
some little measure draw a belief from you, to do
yourself good and not to grace me. Believe then, if
you please, that I can do strange things: I have,
since I was three year old, conversed with a
magician, most profound in his art and yet not
damnable. If you do love Rosalind so near the heart
as your gesture cries it out, when your brother
marries Aliena, shall you marry her: I know into
what straits of fortune she is driven; and it is
not impossible to me, if it appear not inconvenient
to you, to set her before your eyes tomorrow human
as she is and without any danger.
ORLANDO Speakest thou in sober meanings?
ROSALIND By my life, I do; which I tender dearly, though I
say I am a magician. Therefore, put you in your
best array: bid your friends; for if you will be
married to-morrow, you shall, and to Rosalind, if you will.
  [Enter SILVIUS and PHEBE]
  Look, here comes a lover of mine and a lover of hers.
PHEBE Youth, you have done me much ungentleness,
To show the letter that I writ to you.
ROSALIND I care not if I have: it is my study
To seem despiteful and ungentle to you:
You are there followed by a faithful shepherd;
Look upon him, love him; he worships you.
PHEBE Good shepherd, tell this youth what 'tis to love.
SILVIUS It is to be all made of sighs and tears;
And so am I for Phebe.
PHEBE And I for Ganymede.
ORLANDO And I for Rosalind.
ROSALIND And I for no woman.
SILVIUS It is to be all made of faith and service;
And so am I for Phebe.
PHEBE And I for Ganymede.
ORLANDO And I for Rosalind.
ROSALIND And I for no woman.
SILVIUS It is to be all made of fantasy,
All made of passion and all made of wishes,
All adoration, duty, and observance,
All humbleness, all patience and impatience,
All purity, all trial, all observance;
And so am I for Phebe.
PHEBE And so am I for Ganymede.
ORLANDO And so am I for Rosalind.
ROSALIND And so am I for no woman.
PHEBE If this be so, why blame you me to love you?
SILVIUS If this be so, why blame you me to love you?
ORLANDO If this be so, why blame you me to love you?
ROSALIND Who do you speak to, 'Why blame you me to love you?'
ORLANDO To her that is not here, nor doth not hear.
ROSALIND Pray you, no more of this; 'tis like the howling
of Irish wolves against the moon.
  [To SILVIUS]
  I will help you, if I can:
  [To PHEBE]
  I would love you, if I could. To-morrow meet me all together.
  [To PHEBE]
  I will marry you, if ever I marry woman, and I'll be
married to-morrow:
  [To ORLANDO]
  I will satisfy you, if ever I satisfied man, and you
shall be married to-morrow:
  [To SILVIUS]
  I will content you, if what pleases you contents
you, and you shall be married to-morrow.
  [To ORLANDO]
  As you love Rosalind, meet:
  [To SILVIUS]
  as you love Phebe, meet: and as I love no woman,
I'll meet. So fare you well: I have left you commands.
SILVIUS I'll not fail, if I live.
PHEBE Nor I.
ORLANDO Nor I.
  [Exeunt]

 

To view other scenes in the show click below:

Full Text Act III, Scene 3 The Forest
Act I, Scene 1 Orchard of Oliver's house Act III, Scene 4 The Forest
Act I, Scene 2 Lawn Before the Duke's Palace Act III, Scene 5 Another Part of the Forest
Act I, Scene 3 A room in the Palace Act IV, Scene 1 The Forest
Act II, Scene 1 The Forest of Arden/Act II, Scene 2 A room in the Palace Act IV, Scene 2 The Forest/Act IV, Scene 3 The Forest
Act II, Scene 3 Before Oliver's House Act V, Scene 1 The Forest
Act II, Scene 4 The Forest of Arden Act V, Scene 2 The Forest
Act II, Scene 5 The Forest Act V, Scene 3 The Forest
Act II, Scene 6 The Forest/Act II, Scene 7 The Forest Act V, Scene 4 The Forest
Act III, Scene 1 A room in the Palace/Act III, Scene 2 The Forest

 

To view other As You Like It sections:

Main Play Page    Play Text     Scene by Scene Synopsis     Character Directory     Commentary  

 

To view the other Plays click below:

By  Comedies    Histories    Romances    Tragedies

All's Well the Ends Well Antony & Cleopatra As You Like It Cardenio Comedy of Errors Coriolanus
Cymbeline Edward III Hamlet Henry IV, Part 1 Henry IV, Part 2 Henry V
Henry VI, Part 1 Henry VI, Part 2 Henry VI, Part 3 Henry VIII Julius Caesar King John
King Lear Love's Labours Lost Love's Labours Wonne Macbeth Measure for Measure Merchant of Venice
The Merry Wives of Windsor A Mid Summer Night's Dream  Much Ado About Nothing Othello Pericles Richard II
Richard III Romeo & Juliet Sir Thomas More Taming of the Shrew The Tempest Timon of Athens
Titus Andronicus Troilus & Cressida Twelfth Night Two Gentlemen of Verona The Two Noble Kinsman The Winter's Tale

 

To view other Shakespeare Library sections:

Biography     Plays     Poems     Sonnets     Theaters     Shake Links 

 
Send mail to jciccarelli@hudsonshakespeare.org with questions or comments about this web site.
[Home]  [Upcoming Shows]  [HSC Venues]  [Past Productions]  [Articles] [HSC Programs]
 [Shakespeare Library] [Actor Resources]   [Contact Us]  [Links]  [Site Map]