Act IV, Scene 2   The house of ANTIPHOLUS of Ephesus.



ADRIANA Ah, Luciana, did he tempt thee so?
Mightst thou perceive austerely in his eye
That he did plead in earnest? yea or no?
Look'd he or red or pale, or sad or merrily?
What observation madest thou in this case
Of his heart's meteors tilting in his face?
LUCIANA First he denied you had in him no right.
ADRIANA He meant he did me none; the more my spite.
LUCIANA Then swore he that he was a stranger here.
ADRIANA And true he swore, though yet forsworn he were.
LUCIANA Then pleaded I for you.
ADRIANA And what said he?
LUCIANA That love I begg'd for you he begg'd of me.
ADRIANA With what persuasion did he tempt thy love?
LUCIANA With words that in an honest suit might move.
First he did praise my beauty, then my speech.
ADRIANA Didst speak him fair?
LUCIANA Have patience, I beseech.
ADRIANA I cannot, nor I will not, hold me still;
My tongue, though not my heart, shall have his will.
He is deformed, crooked, old and sere,
Ill-faced, worse bodied, shapeless everywhere;
Vicious, ungentle, foolish, blunt, unkind;
Stigmatical in making, worse in mind.
LUCIANA Who would be jealous then of such a one?
No evil lost is wail'd when it is gone.
ADRIANA Ah, but I think him better than I say,
And yet would herein others' eyes were worse.
Far from her nest the lapwing cries away:
My heart prays for him, though my tongue do curse.
  [Enter DROMIO of Syracuse]
DROMIO OF SYRACUSE Here! go; the desk, the purse! sweet, now, make haste.
LUCIANA How hast thou lost thy breath?
DROMIO OF SYRACUSE By running fast.
ADRIANA Where is thy master, Dromio? is he well?
DROMIO OF SYRACUSE No, he's in Tartar limbo, worse than hell.
A devil in an everlasting garment hath him;
One whose hard heart is button'd up with steel;
A fiend, a fury, pitiless and rough;
A wolf, nay, worse, a fellow all in buff;
A back-friend, a shoulder-clapper, one that
The passages of alleys, creeks and narrow lands;
A hound that runs counter and yet draws dryfoot well;
One that before the judgement carries poor souls to hell.
ADRIANA Why, man, what is the matter?
DROMIO OF SYRACUSE I do not know the matter: he is 'rested on the case.
ADRIANA What, is he arrested? Tell me at whose suit.
DROMIO OF SYRACUSE I know not at whose suit he is arrested well;
But he's in a suit of buff which 'rested him, that can I tell.
Will you send him, mistress, redemption, the money in his desk?
ADRIANA Go fetch it, sister.
  [Exit Luciana]
  This I wonder at,
That he, unknown to me, should be in debt.
Tell me, was he arrested on a band?
DROMIO OF SYRACUSE Not on a band, but on a stronger thing;
A chain, a chain! Do you not hear it ring?
ADRIANA What, the chain?
DROMIO OF SYRACUSE No, no, the bell: 'tis time that I were gone:
It was two ere I left him, and now the clock
strikes one.
ADRIANA The hours come back! that did I never hear.
DROMIO OF SYRACUSE O, yes; if any hour meet a sergeant, a' turns back for
very fear.
ADRIANA As if Time were in debt! how fondly dost thou reason!
DROMIO OF SYRACUSE Time is a very bankrupt, and owes more than he's
worth, to season.
Nay, he's a thief too: have you not heard men say
That Time comes stealing on by night and day?
If Time be in debt and theft, and a sergeant in the way,
Hath he not reason to turn back an hour in a day?
  [Re-enter LUCIANA with a purse]
ADRIANA Go, Dromio; there's the money, bear it straight;
And bring thy master home immediately.
Come, sister: I am press'd down with conceit--
Conceit, my comfort and my injury.


To view other scenes in the show click below:

Full Text Act III, Scene 2 The Same
Act I, Scene 1 A hall in Duke Solinus' Palace Act IV, Scene 1 A Public Place
Act I, Scene 2, The Mart Act IV, Scene 2 The House of Antipholus of Ephesus
Act II, Scene 1 The House of Antipholus of Ephesus Act IV, Scene 3 A Public Place
Act II, Scene 2 A Public Place Act IV, Scene 4 A Street
Act III, Scene 1 Before the house of Antipholus of Ephesus Act V, Scene 1 A Street before a Priory


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