Flourish of cornets. Enter the
PRINCE OF MOROCCO
Mislike me not for my complexion,
The shadow'd livery of the burnish'd sun,
To whom I am a neighbour and near bred.
Bring me the fairest creature northward born,
Where Phoebus' fire scarce thaws the icicles,
And let us make incision for your love,
To prove whose blood is reddest, his or mine.
I tell thee, lady, this aspect of mine
Hath fear'd the valiant: by my love I swear
The best-regarded virgins of our clime
Have loved it too: I would not change this hue,
Except to steal your thoughts, my gentle queen.
In terms of choice I am not solely led
By nice direction of a maiden's eyes;
Besides, the lottery of my destiny
Bars me the right of voluntary choosing:
But if my father had not scanted me
And hedged me by his wit, to yield myself
His wife who wins me by that means I told you,
Yourself, renowned prince, then stood as fair
As any comer I have look'd on yet
For my affection.
Even for that I thank you:
Therefore, I pray you, lead me to the caskets
To try my fortune. By this scimitar
That slew the Sophy and a Persian prince
That won three fields of Sultan Solyman,
I would outstare the sternest eyes that look,
Outbrave the heart most daring on the earth,
Pluck the young sucking cubs from the she-bear,
Yea, mock the lion when he roars for prey,
To win thee, lady. But, alas the while!
If Hercules and Lichas play at dice
Which is the better man, the greater throw
May turn by fortune from the weaker hand:
So is Alcides beaten by his page;
And so may I, blind fortune leading me,
Miss that which one unworthier may attain,
And die with grieving.
You must take your chance,
And either not attempt to choose at all
Or swear before you choose, if you choose wrong
Never to speak to lady afterward
In way of marriage: therefore be advised.
|MOROCCO||Nor will not. Come, bring me unto my chance.|
First, forward to the temple: after dinner
Your hazard shall be made.
Good fortune then!
To make me blest or cursed'st among men.
|[Cornets, and exeunt]|
To view other scenes from the show:
|Full Text||Act II, Scene 8 Venice A Street|
|Act I, Scene 1 Venice A Street.||Act II, Scene 9 Belmont A room in Portia's House|
|Act I, Scene 2 Belmont A room in Portia's House.||Act III, Scene 1 Venice a street|
|Act I, Scene 3 Venice A public place.||Act III, Scene 2 Belmont A room in Portia's House|
|Act II, Scene 1 Belmont A room in Portia's House.||Act III, Scene 3 Venice a street|
|Act II, Scene 2 Venice a street||Act III, Scene 4 Belmont A room in Portia's House|
|Act II, Scene 3 Venice A room in Shylock's house.||Act III, Scene 5 The Same A garden|
|Act II, Scene 4 The Same a street.||Act IV, Scene 1 Venice A court of Justice|
|Act II, Scene 5 Before Shylock's house.||Act IV, Scene 2 The same a street|
|Act II, Scene 6 The same.||Act V, Scene 1Avenue to Portia's House|
|Act II, Scene 7 Belmont A room in Portia's House|
To view other The Merchant of Venice sections:
To view the other Plays click below:
|All's Well the Ends Well||Antony & Cleopatra||As You Like It||Cardenio||Comedy of Errors||Coriolanus|
|Cymbeline||Edward III||Hamlet||Henry IV, Part 1||Henry IV, Part 2||Henry V|
|Henry VI, Part 1||Henry VI, Part 2||Henry VI, Part 3||Henry VIII||Julius Caesar||King John|
|King Lear||Loves Labour's Lost||Loves Labour's Wonne||Macbeth||Measure for Measure||Merchant of Venice|
|The Merry Wives of Windsor||A Mid Summer Night's Dream||Much Ado About Nothing||Othello||Pericles||Richard II|
|Richard III||Romeo & Juliet||Sir Thomas More||Taming of the Shrew||The Tempest||Timon of Athens|
|Titus Andronicus||Troilus & Cressida||Twelfth Night||Two Gentlemen of Verona||The Two Noble Kinsman||The Winter's Tale|
To view other Shakespeare Library sections:
Send mail to firstname.lastname@example.org with questions or comments about this web site.
[Home] [Upcoming Shows] [HSC Venues] [Past Productions] [Articles] [HSC Programs]