Act III, Scene 2 A room in LEONATO'S house

Enter DON PEDRO, CLAUDIO, BENEDICK, and LEONATO

 

DON PEDRO I do but stay till your marriage be consummate, and
then go I toward Arragon.
CLAUDIO I'll bring you thither, my lord, if you'll
vouchsafe me.
DON PEDRO Nay, that would be as great a soil in the new gloss
of your marriage as to show a child his new coat
and forbid him to wear it. I will only be bold
with Benedick for his company; for, from the crown
of his head to the sole of his foot, he is all
mirth: he hath twice or thrice cut Cupid's
bow-string and the little hangman dare not shoot at
him; he hath a heart as sound as a bell and his
tongue is the clapper, for what his heart thinks his
tongue speaks.
BENEDICK Gallants, I am not as I have been.
LEONATO So say I methinks you are sadder.
CLAUDIO I hope he be in love.
DON PEDRO Hang him, truant! there's no true drop of blood in
him, to be truly touched with love: if he be sad,
he wants money.
BENEDICK I have the toothache.
DON PEDRO Draw it.
BENEDICK Hang it!
CLAUDIO You must hang it first, and draw it afterwards.
DON PEDRO What! sigh for the toothache?
LEONATO Where is but a humour or a worm.
BENEDICK Well, every one can master a grief but he that has
it.
CLAUDIO Yet say I, he is in love.
DON PEDRO There is no appearance of fancy in him, unless it be
a fancy that he hath to strange disguises; as, to be
a Dutchman today, a Frenchman to-morrow, or in the
shape of two countries at once, as, a German from
the waist downward, all slops, and a Spaniard from
the hip upward, no doublet. Unless he have a fancy
to this foolery, as it appears he hath, he is no
fool for fancy, as you would have it appear he is.
CLAUDIO If he be not in love with some woman, there is no
believing old signs: a' brushes his hat o'
mornings; what should that bode?
DON PEDRO Hath any man seen him at the barber's?
CLAUDIO No, but the barber's man hath been seen with him,
and the old ornament of his cheek hath already
stuffed tennis-balls.
LEONATO Indeed, he looks younger than he did, by the loss of a beard.
DON PEDRO Nay, a' rubs himself with civet: can you smell him
out by that?
CLAUDIO That's as much as to say, the sweet youth's in love.
DON PEDRO The greatest note of it is his melancholy.
CLAUDIO And when was he wont to wash his face?
DON PEDRO Yea, or to paint himself? for the which, I hear
what they say of him.
CLAUDIO Nay, but his jesting spirit; which is now crept into
a lute-string and now governed by stops.
DON PEDRO Indeed, that tells a heavy tale for him: conclude,
conclude he is in love.
CLAUDIO Nay, but I know who loves him.
DON PEDRO That would I know too: I warrant, one that knows him not.
CLAUDIO Yes, and his ill conditions; and, in despite of
all, dies for him.
DON PEDRO She shall be buried with her face upwards.
BENEDICK Yet is this no charm for the toothache. Old
signior, walk aside with me: I have studied eight
or nine wise words to speak to you, which these
hobby-horses must not hear.
  [Exeunt BENEDICK and LEONATO]
DON PEDRO For my life, to break with him about Beatrice.
CLAUDIO 'Tis even so. Hero and Margaret have by this
played their parts with Beatrice; and then the two
bears will not bite one another when they meet.
  [Enter DON JOHN]
DON JOHN My lord and brother, God save you!
DON PEDRO Good den, brother.
DON JOHN If your leisure served, I would speak with you.
DON PEDRO In private?
DON JOHN If it please you: yet Count Claudio may hear; for
what I would speak of concerns him.
DON PEDRO What's the matter?
DON JOHN [To CLAUDIO] Means your lordship to be married
to-morrow?
DON PEDRO You know he does.
DON JOHN I know not that, when he knows what I know.
CLAUDIO If there be any impediment, I pray you discover it.
DON JOHN You may think I love you not: let that appear
hereafter, and aim better at me by that I now will
manifest. For my brother, I think he holds you
well, and in dearness of heart hath holp to effect
your ensuing marriage;--surely suit ill spent and
labour ill bestowed.
DON PEDRO Why, what's the matter?
DON JOHN I came hither to tell you; and, circumstances
shortened, for she has been too long a talking of,
the lady is disloyal.
CLAUDIO Who, Hero?
DON PEDRO Even she; Leonato's Hero, your Hero, every man's Hero:
CLAUDIO Disloyal?
DON JOHN The word is too good to paint out her wickedness; I
could say she were worse: think you of a worse
title, and I will fit her to it. Wonder not till
further warrant: go but with me to-night, you shall
see her chamber-window entered, even the night
before her wedding-day: if you love her then,
to-morrow wed her; but it would better fit your honour
to change your mind.
CLAUDIO May this be so?
DON PEDRO I will not think it.
DON JOHN If you dare not trust that you see, confess not
that you know: if you will follow me, I will show
you enough; and when you have seen more and heard
more, proceed accordingly.
CLAUDIO If I see any thing to-night why I should not marry
her to-morrow in the congregation, where I should
wed, there will I shame her.
DON PEDRO And, as I wooed for thee to obtain her, I will join
with thee to disgrace her.
DON JOHN I will disparage her no farther till you are my
witnesses: bear it coldly but till midnight, and
let the issue show itself.
DON PEDRO O day untowardly turned!
CLAUDIO O mischief strangely thwarting!
DON JOHN O plague right well prevented! so will you say when
you have seen the sequel.
  [Exeunt]

 

To view other scenes from the show:

Full Text Act III, Scene 4 Hero's apartment.
Act I, Scene 1 Before Leonato's house. Act III, Scene 5 Another room in Leonato's house.
Act I, Scene 2 A room in Leonato's house/Act I, Scene 3 The same. Act IV, Scene 1 A church.
Act II, Scene 1 A hall in Leonato's house. Act IV, Scene 2 A prison.
Act II, Scene 2 The same. Act V, Scene 1 Before Leonato's house.
Act II, Scene 3 Leonato's orchard. Act V, Scene 2 Leonato's garden.
Act III, Scene 1 Leonato's garden Act V, Scene 3 A church.
Act III, Scene 2 A room in Leonato's house Act V, Scene 4 A room in Leonato's house.
Act III, Scene 3 A street.

 

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