Act III, Scene 4 HERO's apartment.

Enter HERO, MARGARET, and URSULA

 

HERO Good Ursula, wake my cousin Beatrice, and desire
her to rise.
URSULA I will, lady.
HERO And bid her come hither.
URSULA Well.
  [Exit]
MARGARET Troth, I think your other rabato were better.
HERO No, pray thee, good Meg, I'll wear this.
MARGARET By my troth, 's not so good; and I warrant your
cousin will say so.
HERO My cousin's a fool, and thou art another: I'll wear
none but this.
MARGARET I like the new tire within excellently, if the hair
were a thought browner; and your gown's a most rare
fashion, i' faith. I saw the Duchess of Milan's
gown that they praise so.
HERO O, that exceeds, they say.
MARGARET By my troth, 's but a night-gown in respect of
yours: cloth o' gold, and cuts, and laced with
silver, set with pearls, down sleeves, side sleeves,
and skirts, round underborne with a bluish tinsel:
but for a fine, quaint, graceful and excellent
fashion, yours is worth ten on 't.
HERO God give me joy to wear it! for my heart is
exceeding heavy.
MARGARET 'Twill be heavier soon by the weight of a man.
HERO Fie upon thee! art not ashamed?
MARGARET Of what, lady? of speaking honourably? Is not
marriage honourable in a beggar? Is not your lord
honourable without marriage? I think you would have
me say, 'saving your reverence, a husband:' and bad
thinking do not wrest true speaking, I'll offend
nobody: is there any harm in 'the heavier for a
husband'? None, I think, and it be the right husband
and the right wife; otherwise 'tis light, and not
heavy: ask my Lady Beatrice else; here she comes.
  [Enter BEATRICE]
HERO Good morrow, coz.
BEATRICE Good morrow, sweet Hero.
HERO Why how now? do you speak in the sick tune?
BEATRICE I am out of all other tune, methinks.
MARGARET Clap's into 'Light o' love;' that goes without a
burden: do you sing it, and I'll dance it.
BEATRICE Ye light o' love, with your heels! then, if your
husband have stables enough, you'll see he shall
lack no barns.
MARGARET O illegitimate construction! I scorn that with my heels.
BEATRICE 'Tis almost five o'clock, cousin; tis time you were
ready. By my troth, I am exceeding ill: heigh-ho!
MARGARET For a hawk, a horse, or a husband?
BEATRICE For the letter that begins them all, H.
MARGARET Well, and you be not turned Turk, there's no more
sailing by the star.
BEATRICE What means the fool, trow?
MARGARET Nothing I; but God send every one their heart's desire!
HERO These gloves the count sent me; they are an
excellent perfume.
BEATRICE I am stuffed, cousin; I cannot smell.
MARGARET A maid, and stuffed! there's goodly catching of cold.
BEATRICE O, God help me! God help me! how long have you
professed apprehension?
MARGARET Even since you left it. Doth not my wit become me rarely?
BEATRICE It is not seen enough, you should wear it in your
cap. By my troth, I am sick.
MARGARET Get you some of this distilled Carduus Benedictus,
and lay it to your heart: it is the only thing for a qualm.
HERO There thou prickest her with a thistle.
BEATRICE Benedictus! why Benedictus? you have some moral in
this Benedictus.
MARGARET Moral! no, by my troth, I have no moral meaning; I
meant, plain holy-thistle. You may think perchance
that I think you are in love: nay, by'r lady, I am
not such a fool to think what I list, nor I list
not to think what I can, nor indeed I cannot think,
if I would think my heart out of thinking, that you
are in love or that you will be in love or that you
can be in love. Yet Benedick was such another, and
now is he become a man: he swore he would never
marry, and yet now, in despite of his heart, he eats
his meat without grudging: and how you may be
converted I know not, but methinks you look with
your eyes as other women do.
BEATRICE What pace is this that thy tongue keeps?
MARGARET Not a false gallop.
  [Re-enter URSULA]
URSULA Madam, withdraw: the prince, the count, Signior
Benedick, Don John, and all the gallants of the
town, are come to fetch you to church.
HERO Help to dress me, good coz, good Meg, good Ursula.
  [Exeunt]

 

To view other scenes from the show:

Full Text Act III, Scene 4 Hero's apartment.
Act I, Scene 1 Before Leonato's house. Act III, Scene 5 Another room in Leonato's house.
Act I, Scene 2 A room in Leonato's house/Act I, Scene 3 The same. Act IV, Scene 1 A church.
Act II, Scene 1 A hall in Leonato's house. Act IV, Scene 2 A prison.
Act II, Scene 2 The same. Act V, Scene 1 Before Leonato's house.
Act II, Scene 3 Leonato's orchard. Act V, Scene 2 Leonato's garden.
Act III, Scene 1 Leonato's garden Act V, Scene 3 A church.
Act III, Scene 2 A room in Leonato's house Act V, Scene 4 A room in Leonato's house.
Act III, Scene 3 A street.

 

To view other Much Ado About Nothing sections:

Main Play Page      Play Text    Scene by Scene Synopsis     Character Directory     Commentary  

 

To view the other Plays click below:

By  Comedies    Histories    Romances    Tragedies

All's Well the Ends Well Antony & Cleopatra As You Like It Cardenio Comedy of Errors Coriolanus
Cymbeline Edward III Hamlet Henry IV, Part 1 Henry IV, Part 2 Henry V
Henry VI, Part 1 Henry VI, Part 2 Henry VI, Part 3 Henry VIII Julius Caesar King John
King Lear Love's Labours Lost Love's Labours Wonne Macbeth Measure for Measure Merchant of Venice
The Merry Wives of Windsor A Mid Summer Night's Dream  Much Ado About Nothing Othello Pericles Richard II
Richard III Romeo & Juliet Sir Thomas More Taming of the Shrew The Tempest Timon of Athens
Titus Andronicus Troilus & Cressida Twelfth Night Two Gentlemen of Verona The Two Noble Kinsman The Winter's Tale

 

To view other Shakespeare Library sections:

Biography     Plays     Poems     Sonnets     Theaters     Shake Links 

 
Send mail to jciccarelli@hudsonshakespeare.org with questions or comments about this web site.
[Home]  [Upcoming Shows]  [HSC Venues]  [Past Productions]  [Articles] [HSC Programs]
 [Shakespeare Library] [Actor Resources]   [Contact Us]  [Links]  [Site Map]