Act I, Scene 1 Alexandria. A room in CLEOPATRA's palace.

Enter DEMETRIUS and PHILO

 

PHILO Nay, but this dotage of our general's
O'erflows the measure: those his goodly eyes,
That o'er the files and musters of the war
Have glow'd like plated Mars, now bend, now turn,
The office and devotion of their view
Upon a tawny front: his captain's heart,
Which in the scuffles of great fights hath burst
The buckles on his breast, reneges all temper,
And is become the bellows and the fan
To cool a gipsy's lust.
  [Flourish. Enter ANTONY, CLEOPATRA, her Ladies,
the Train, with Eunuchs fanning her]
  Look, where they come:
Take but good note, and you shall see in him.
The triple pillar of the world transform'd
Into a strumpet's fool: behold and see.
CLEOPATRA If it be love indeed, tell me how much.
MARK ANTONY There's beggary in the love that can be reckon'd.
CLEOPATRA I'll set a bourn how far to be beloved.
MARK ANTONY Then must thou needs find out new heaven, new earth.
  [Enter an Attendant]
Attendant News, my good lord, from Rome.
MARK ANTONY Grates me: the sum.
CLEOPATRA Nay, hear them, Antony:
Fulvia perchance is angry; or, who knows
If the scarce-bearded Caesar have not sent
His powerful mandate to you, 'Do this, or this;
Take in that kingdom, and enfranchise that;
Perform 't, or else we damn thee.'
MARK ANTONY How, my love!
CLEOPATRA Perchance! nay, and most like:
You must not stay here longer, your dismission
Is come from Caesar; therefore hear it, Antony.
Where's Fulvia's process? Caesar's I would say? both?
Call in the messengers. As I am Egypt's queen,
Thou blushest, Antony; and that blood of thine
Is Caesar's homager: else so thy cheek pays shame
When shrill-tongued Fulvia scolds. The messengers!
MARK ANTONY Let Rome in Tiber melt, and the wide arch
Of the ranged empire fall! Here is my space.
Kingdoms are clay: our dungy earth alike
Feeds beast as man: the nobleness of life
Is to do thus; when such a mutual pair
  [Embracing]
  And such a twain can do't, in which I bind,
On pain of punishment, the world to weet
We stand up peerless.
CLEOPATRA Excellent falsehood!
Why did he marry Fulvia, and not love her?
I'll seem the fool I am not; Antony
Will be himself.
MARK ANTONY But stirr'd by Cleopatra.
Now, for the love of Love and her soft hours,
Let's not confound the time with conference harsh:
There's not a minute of our lives should stretch
Without some pleasure now. What sport tonight?
CLEOPATRA Hear the ambassadors.
MARK ANTONY Fie, wrangling queen!
Whom every thing becomes, to chide, to laugh,
To weep; whose every passion fully strives
To make itself, in thee, fair and admired!
No messenger, but thine; and all alone
To-night we'll wander through the streets and note
The qualities of people. Come, my queen;
Last night you did desire it: speak not to us.
  [Exeunt MARK ANTONY and CLEOPATRA with
their train]
DEMETRIUS Is Caesar with Antonius prized so slight?
PHILO Sir, sometimes, when he is not Antony,
He comes too short of that great property
Which still should go with Antony.
DEMETRIUS I am full sorry
That he approves the common liar, who
Thus speaks of him at Rome: but I will hope
Of better deeds to-morrow. Rest you happy!
  [Exeunt]

 

To view other scenes from the show:

Full Text Act III, Scene 7 Near Actium Mark Antony's camp.
Act I, Scene 1 Alexandria. A room in Cleopatra's palace. Act III, Scene 8 A plain near Actium/Act III, Scene 9 Another part of the plain./Act III, Scene 10. Another part of the plain.
Act I, Scene 2 The same. Another room. Act III, Scene 11 Alexandria. Cleopatra's palace./Act III, Scene 12 Egypt Octavius' camp.
Act I, Scene 3 The same. Another room. Act III, Scene 13 Alexandria. Cleopatra's palace.
Act I, Scene 4 Rome. Octavius Caesar's house. Act IV, Scene 1 Before Alexandria. Octavius' camp. /Act IV, Scene 2 Alexandria. Cleopatra's palace.
Act I, Scene 5 Alexandria Cleopatra's palace. Act IV, Scene 3 The same. Before the palace./Act IV, Scene 4 The same. A room in the palace.
Act II, Scene 1 Messina Pompey's house. Act IV, Scene 5 Alexandria. Mark Antony's camp/Act IV, Scene 6 Alexandria Octavius' camp.
Act II, Scene 2 Rome. The house of Lepidus. Act IV, Scene 7 Field of battle between the camps./Act IV, Scene 8 Under the walls of Alexandria.
Act II, Scene 3 The same Octavius Caesar's house./Act II, Scene 4 The same. A street. Act IV, Scene 9 Octavius Caesar's camp/Act IV, Scene 10 Between the two camps. /Act IV, Scene 11 Another part of the same.
Act II, Scene 5 Alexandria. Cleopatra's palace. Act IV, Scene 12 Another part of the same./Act IV, Scene 13 Alexandria Cleopatra's palace.
Act II, Scene 6 Near Misenum. Act IV, Scene 14 The same. Another room.
Act II, Scene 7 On board Pompey's galley, off Misenum Act IV, Scene 15 The same. A monument.
Act III, Scene 1 A plain in Syria/ Act III Scene 2 An ante-chamber in Octavius Caesar's house. Act V, Scene 1 Octavius Caesar's camp.
Act III, Scene 3Alexandria Cleopatra's palace./Act III, Scene 4 Athens.  A room in Mark Antony's house. Act V, Scene 2 A room in the monument.
Act III, Scene 5 The same. Another room./Act III, Scene 6 Octavius Caesar's house.  

 

To view other Antony and Cleopatra sections:

Main Play Page      Play Text     Scene by Scene Synopsis     Character Directory     Commentary  

 

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By  Comedies    Histories    Romances    Tragedies

All's Well the Ends Well Antony & Cleopatra As You Like It Cardenio Comedy of Errors Coriolanus
Cymbeline Edward III Hamlet Henry IV, Part 1 Henry IV, Part 2 Henry V
Henry VI, Part 1 Henry VI, Part 2 Henry VI, Part 3 Henry VIII Julius Caesar King John
King Lear Love's Labours Lost Love's Labours Wonne Macbeth Measure for Measure Merchant of Venice
The Merry Wives of Windsor A Mid Summer Night's Dream  Much Ado About Nothing Othello Pericles Richard II
Richard III Romeo & Juliet Sir Thomas More Taming of the Shrew The Tempest Timon of Athens
Titus Andronicus Troilus & Cressida Twelfth Night Two Gentlemen of Verona The Two Noble Kinsman The Winter's Tale

 

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