Act III, Scene 11 Alexandria. CLEOPATRA's palace.

Enter MARK ANTONY with Attendants

 

MARK ANTONY Hark! the land bids me tread no more upon't;
It is ashamed to bear me! Friends, come hither:
I am so lated in the world, that I
Have lost my way for ever: I have a ship
Laden with gold; take that, divide it; fly,
And make your peace with Caesar.
All Fly! not we.
MARK ANTONY I have fled myself; and have instructed cowards
To run and show their shoulders. Friends, be gone;
I have myself resolved upon a course
Which has no need of you; be gone:
My treasure's in the harbour, take it. O,
I follow'd that I blush to look upon:
My very hairs do mutiny; for the white
Reprove the brown for rashness, and they them
For fear and doting. Friends, be gone: you shall
Have letters from me to some friends that will
Sweep your way for you. Pray you, look not sad,
Nor make replies of loathness: take the hint
Which my despair proclaims; let that be left
Which leaves itself: to the sea-side straightway:
I will possess you of that ship and treasure.
Leave me, I pray, a little: pray you now:
Nay, do so; for, indeed, I have lost command,
Therefore I pray you: I'll see you by and by.
  [Sits down]
  [Enter CLEOPATRA led by CHARMIAN and IRAS; EROS
following]
EROS Nay, gentle madam, to him, comfort him.
IRAS Do, most dear queen.
CHARMIAN Do! why: what else?
CLEOPATRA Let me sit down. O Juno!
MARK ANTONY No, no, no, no, no.
EROS See you here, sir?
MARK ANTONY O fie, fie, fie!
CHARMIAN Madam!
IRAS Madam, O good empress!
EROS Sir, sir,--
MARK ANTONY Yes, my lord, yes; he at Philippi kept
His sword e'en like a dancer; while I struck
The lean and wrinkled Cassius; and 'twas I
That the mad Brutus ended: he alone
Dealt on lieutenantry, and no practise had
In the brave squares of war: yet now--No matter.
CLEOPATRA Ah, stand by.
EROS The queen, my lord, the queen.
IRAS Go to him, madam, speak to him:
He is unqualitied with very shame.
CLEOPATRA Well then, sustain him: O!
EROS Most noble sir, arise; the queen approaches:
Her head's declined, and death will seize her, but
Your comfort makes the rescue.
MARK ANTONY I have offended reputation,
A most unnoble swerving.
EROS Sir, the queen.
MARK ANTONY O, whither hast thou led me, Egypt? See,
How I convey my shame out of thine eyes
By looking back what I have left behind
'Stroy'd in dishonour.
CLEOPATRA O my lord, my lord,
Forgive my fearful sails! I little thought
You would have follow'd.
MARK ANTONY Egypt, thou knew'st too well
My heart was to thy rudder tied by the strings,
And thou shouldst tow me after: o'er my spirit
Thy full supremacy thou knew'st, and that
Thy beck might from the bidding of the gods
Command me.
CLEOPATRA O, my pardon!
MARK ANTONY Now I must
To the young man send humble treaties, dodge
And palter in the shifts of lowness; who
With half the bulk o' the world play'd as I pleased,
Making and marring fortunes. You did know
How much you were my conqueror; and that
My sword, made weak by my affection, would
Obey it on all cause.
CLEOPATRA Pardon, pardon!
MARK ANTONY Fall not a tear, I say; one of them rates
All that is won and lost: give me a kiss;
Even this repays me. We sent our schoolmaster;
Is he come back? Love, I am full of lead.
Some wine, within there, and our viands! Fortune knows
We scorn her most when most she offers blows.
  [Exeunt]

 

Act III, Scene 12 Egypt. OCTAVIUS CAESAR's camp.

Enter OCTAVIUS CAESAR, DOLABELLA, THYREUS, with others

 

OCTAVIUS CAESAR Let him appear that's come from Antony.
Know you him?
DOLABELLA Caesar, 'tis his schoolmaster:
An argument that he is pluck'd, when hither
He sends so poor a pinion off his wing,
Which had superfluous kings for messengers
Not many moons gone by.
  [Enter EUPHRONIUS, ambassador from MARK ANTONY]
OCTAVIUS CAESAR Approach, and speak.
EUPHRONIUS Such as I am, I come from Antony:
I was of late as petty to his ends
As is the morn-dew on the myrtle-leaf
To his grand sea.
OCTAVIUS CAESAR Be't so: declare thine office.
EUPHRONIUS Lord of his fortunes he salutes thee, and
Requires to live in Egypt: which not granted,
He lessens his requests; and to thee sues
To let him breathe between the heavens and earth,
A private man in Athens: this for him.
Next, Cleopatra does confess thy greatness;
Submits her to thy might; and of thee craves
The circle of the Ptolemies for her heirs,
Now hazarded to thy grace.
OCTAVIUS CAESAR For Antony,
I have no ears to his request. The queen
Of audience nor desire shall fail, so she
From Egypt drive her all-disgraced friend,
Or take his life there: this if she perform,
She shall not sue unheard. So to them both.
EUPHRONIUS Fortune pursue thee!
OCTAVIUS CAESAR Bring him through the bands.
  [Exit EUPHRONIUS]
  [To THYREUS] To try eloquence, now 'tis time: dispatch;
From Antony win Cleopatra: promise,
And in our name, what she requires; add more,
From thine invention, offers: women are not
In their best fortunes strong; but want will perjure
The ne'er touch'd vestal: try thy cunning, Thyreus;
Make thine own edict for thy pains, which we
Will answer as a law.
THYREUS Caesar, I go.
OCTAVIUS CAESAR Observe how Antony becomes his flaw,
And what thou think'st his very action speaks
In every power that moves.
THYREUS Caesar, I shall.
  [Exeunt]

 

To view other scenes from the show:

Full Text Act III, Scene 7 Near Actium Mark Antony's camp.
Act I, Scene 1 Alexandria. A room in Cleopatra's palace. Act III, Scene 8 A plain near Actium/Act III, Scene 9 Another part of the plain./Act III, Scene 10. Another part of the plain.
Act I, Scene 2 The same. Another room. Act III, Scene 11 Alexandria. Cleopatra's palace./Act III, Scene 12 Egypt Octavius' camp.
Act I, Scene 3 The same. Another room. Act III, Scene 13 Alexandria. Cleopatra's palace.
Act I, Scene 4 Rome. Octavius Caesar's house. Act IV, Scene 1 Before Alexandria. Octavius' camp. /Act IV, Scene 2 Alexandria. Cleopatra's palace.
Act I, Scene 5 Alexandria Cleopatra's palace. Act IV, Scene 3 The same. Before the palace./Act IV, Scene 4 The same. A room in the palace.
Act II, Scene 1 Messina Pompey's house. Act IV, Scene 5 Alexandria. Mark Antony's camp/Act IV, Scene 6 Alexandria Octavius' camp.
Act II, Scene 2 Rome. The house of Lepidus. Act IV, Scene 7 Field of battle between the camps./Act IV, Scene 8 Under the walls of Alexandria.
Act II, Scene 3 The same Octavius Caesar's house./Act II, Scene 4 The same. A street. Act IV, Scene 9 Octavius Caesar's camp/Act IV, Scene 10 Between the two camps. /Act IV, Scene 11 Another part of the same.
Act II, Scene 5 Alexandria. Cleopatra's palace. Act IV, Scene 12 Another part of the same./Act IV, Scene 13 Alexandria Cleopatra's palace.
Act II, Scene 6 Near Misenum. Act IV, Scene 14 The same. Another room.
Act II, Scene 7 On board Pompey's galley, off Misenum Act IV, Scene 15 The same. A monument.
Act III, Scene 1 A plain in Syria/ Act III Scene 2 An ante-chamber in Octavius Caesar's house. Act V, Scene 1 Octavius Caesar's camp.
Act III, Scene 3Alexandria Cleopatra's palace./Act III, Scene 4 Athens.  A room in Mark Antony's house. Act V, Scene 2 A room in the monument.
Act III, Scene 5 The same. Another room./Act III, Scene 6 Octavius Caesar's house.  

 

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All's Well the Ends Well Antony & Cleopatra As You Like It Cardenio Comedy of Errors Coriolanus
Cymbeline Edward III Hamlet Henry IV, Part 1 Henry IV, Part 2 Henry V
Henry VI, Part 1 Henry VI, Part 2 Henry VI, Part 3 Henry VIII Julius Caesar King John
King Lear Love's Labours Lost Love's Labours Wonne Macbeth Measure for Measure Merchant of Venice
The Merry Wives of Windsor A Mid Summer Night's Dream  Much Ado About Nothing Othello Pericles Richard II
Richard III Romeo & Juliet Sir Thomas More Taming of the Shrew The Tempest Timon of Athens
Titus Andronicus Troilus & Cressida Twelfth Night Two Gentlemen of Verona The Two Noble Kinsman The Winter's Tale

 

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