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Enter two Soldiers to their
guard
| First Soldier
|
Brother, good night: to-morrow is the day.
|
| Second Soldier
|
It will determine one way: fare you well.
Heard you of nothing strange about the streets? |
| First Soldier
|
Nothing. What news? |
| Second Soldier
|
Belike 'tis but a rumour. Good night to you.
|
| First Soldier
|
Well, sir, good night.
|
| |
[Enter two other Soldiers]
|
| Second Soldier
|
Soldiers, have careful watch.
|
| Third Soldier
|
And you. Good night, good night.
|
| |
[They place themselves in every corner of the stage]
|
| Fourth Soldier
|
Here we: and if to-morrow
Our navy thrive, I have an absolute hope
Our landmen will stand up. |
| Third Soldier
|
'Tis a brave army,
And full of purpose. |
| |
[Music of the hautboys as under the stage]
|
| Fourth Soldier
|
Peace! what noise? |
| First Soldier
|
List, list! |
| Second Soldier
|
Hark! |
| First Soldier
|
Music i' the air. |
| Third Soldier
|
Under the earth. |
| Fourth Soldier
|
It signs well, does it not?
|
| Third Soldier
|
No. |
| First Soldier
|
Peace, I say!
What should this mean? |
| Second Soldier
|
'Tis the god Hercules, whom Antony loved,
Now leaves him. |
| First Soldier
|
Walk; let's see if other watchmen
Do hear what we do? |
| |
[They advance to another post]
|
| Second Soldier
|
How now, masters! |
| All |
[Speaking together] How now!
How now! do you hear this? |
| First Soldier
|
Ay; is't not strange? |
| Third Soldier
|
Do you hear, masters? do you hear?
|
| First Soldier
|
Follow the noise so far as we have quarter;
Let's see how it will give off. |
| All |
Content. 'Tis strange.
|
| |
[Exeunt] |
Enter MARK ANTONY and
CLEOPATRA, CHARMIAN, and
others attending
| MARK ANTONY
|
Eros! mine armour, Eros!
|
| CLEOPATRA
|
Sleep a little. |
| MARK ANTONY
|
No, my chuck. Eros, come; mine armour, Eros!
|
| |
[Enter EROS with armour]
|
| |
Come good fellow, put mine iron on:
If fortune be not ours to-day, it is
Because we brave her: come. |
| CLEOPATRA
|
Nay, I'll help too.
What's this for? |
| MARK ANTONY
|
Ah, let be, let be! thou art
The armourer of my heart: false, false; this, this. |
| CLEOPATRA
|
Sooth, la, I'll help: thus it must be.
|
| MARK ANTONY
|
Well, well;
We shall thrive now. Seest thou, my good fellow?
Go put on thy defences. |
| EROS |
Briefly, sir. |
| CLEOPATRA
|
Is not this buckled well?
|
| MARK ANTONY
|
Rarely, rarely:
He that unbuckles this, till we do please
To daff't for our repose, shall hear a storm.
Thou fumblest, Eros; and my queen's a squire
More tight at this than thou: dispatch. O love,
That thou couldst see my wars to-day, and knew'st
The royal occupation! thou shouldst see
A workman in't. |
| |
[Enter an armed Soldier]
|
| |
Good morrow to thee; welcome:
Thou look'st like him that knows a warlike charge:
To business that we love we rise betime,
And go to't with delight. |
| Soldier
|
A thousand, sir,
Early though't be, have on their riveted trim,
And at the port expect you. |
| |
[Shout. Trumpets flourish]
|
| |
[Enter Captains and Soldiers]
|
| Captain
|
The morn is fair. Good morrow, general.
|
| All |
Good morrow, general. |
| MARK ANTONY
|
'Tis well blown, lads:
This morning, like the spirit of a youth
That means to be of note, begins betimes.
So, so; come, give me that: this way; well said.
Fare thee well, dame, whate'er becomes of me:
This is a soldier's kiss: rebukeable |
| |
[Kisses her] |
| |
And worthy shameful cheque it were, to stand
On more mechanic compliment; I'll leave thee
Now, like a man of steel. You that will fight,
Follow me close; I'll bring you to't. Adieu. |
| |
[Exeunt MARK ANTONY, EROS, Captains, and Soldiers]
|
| CHARMIAN
|
Please you, retire to your chamber.
|
| CLEOPATRA
|
Lead me.
He goes forth gallantly. That he and Caesar might
Determine this great war in single fight!
Then Antony,--but now--Well, on. |
| |
[Exeunt] |
To view other scenes
from the show:
|
Full
Text |
Act III, Scene 7 Near Actium Mark Antony's camp. |
|
Act I, Scene 1 Alexandria. A room in Cleopatra's palace. |
Act III, Scene 8 A plain near
Actium/Act III, Scene 9 Another part of the plain./Act III, Scene 10.
Another part of the plain. |
|
Act I, Scene 2 The same. Another room. |
Act III, Scene 11 Alexandria.
Cleopatra's palace./Act III, Scene 12 Egypt Octavius' camp. |
|
Act I, Scene 3 The same. Another room. |
Act III, Scene 13 Alexandria.
Cleopatra's palace. |
|
Act I, Scene 4 Rome. Octavius Caesar's house. |
Act IV, Scene 1 Before Alexandria.
Octavius' camp. /Act IV, Scene 2 Alexandria. Cleopatra's palace. |
|
Act I, Scene 5 Alexandria Cleopatra's palace. |
Act IV, Scene 3 The same. Before the
palace./Act IV, Scene 4 The same. A room in the palace. |
|
Act II, Scene 1 Messina Pompey's house. |
Act IV, Scene 5 Alexandria. Mark
Antony's camp/Act IV, Scene 6 Alexandria Octavius' camp. |
|
Act II, Scene 2 Rome. The house of Lepidus. |
Act IV, Scene 7 Field of battle
between the camps./Act IV, Scene 8 Under the walls of Alexandria.
|
|
Act II, Scene 3 The same Octavius Caesar's house./Act II, Scene 4 The
same. A street. |
Act IV, Scene 9 Octavius Caesar's
camp/Act IV, Scene 10 Between the two camps. /Act IV, Scene 11 Another
part of the same. |
|
Act II, Scene 5 Alexandria. Cleopatra's palace. |
Act IV, Scene 12 Another part of
the same./Act IV, Scene 13 Alexandria Cleopatra's palace. |
|
Act II, Scene 6 Near Misenum. |
Act IV, Scene 14 The same. Another
room. |
|
Act II, Scene 7 On board Pompey's galley, off Misenum |
Act IV, Scene 15 The same. A
monument. |
|
Act III, Scene 1 A plain in
Syria/ Act III Scene 2 An ante-chamber in Octavius Caesar's house. |
Act V, Scene 1 Octavius Caesar's camp. |
|
Act III, Scene 3Alexandria
Cleopatra's palace./Act III, Scene 4 Athens. A room in Mark Antony's
house. |
Act V, Scene 2 A room in the monument. |
|
Act III, Scene 5 The same.
Another room./Act III, Scene 6 Octavius Caesar's house. |
|
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and Cleopatra sections:
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